The run-up to the concert is grueling. Beethoven’s Missa Solemnis not only demands many singers, but, Corrie says, “the demands on the singers are really quite extreme. It takes a particular interest from people to pull it together.”
In fact, it’s one of the most difficult works in the choral repertoire. “You know, I’ve been in this chorale since it started, back in 1972, and this is by far the hardest music we’ve ever had,” says Maine Music Society tenor Richard Wagner, Bates professor emeritus of psychology.
In addition, the effort of all the rehearsals is adding up. “I’ve lost a lot of sleep,” says another Maine Music Society tenor, Brian Pfohl, assistant in instruction in Bates’ psychology department. But the exertion is worth it.
And besides, Corrie lightens the load. “John is thoughtful, considerate, and open-minded,” says soprano Luette Saul, one of the four vocal soloists and an instructor in voice at Bates. (The other soloists are Saul’s music faculty colleague, mezzo soprano Jazmin DeRice; tenor Martin Lescault; and bass Joshua Miller.)
“John is open to ideas from the orchestra and soloists, and makes sure everyone is taken care of. He’s even had water and snacks for us at rehearsals — rock star treatment.”
“Love him, love him, love him,” adds Wagner. “Even when he’s saying ‘Don’t do this’ or ‘Do it in a different way,’ he says it in a very positive, positive way.”